A direct and quietly powerful portrait from Notting Hill Carnival. Pride centres on a young person looking straight into the camera, the Jamaican flag raised across the lower half of their face. With almost everything else stripped away, it is the eyes that hold the frame.
The surrounding crowd falls away through the shallow depth of field, creating an intimate moment amid the movement of Carnival. The flag becomes more than a splash of colour within the photograph — it speaks to heritage, belonging and the pride in cultural identity that runs through Carnival.
The photograph forms part of Wayne Crichlow’s long-term documentation of Notting Hill Carnival and is featured in Carnival of Resistance, the book created with Wayne Campbell exploring Carnival through culture, community, heritage and resistance.
Pride has been published by The Guardian, The Voice, Huck Magazine and Street Photography Magazine.
Edition & specification
Overall paper size: 74 × 51 cm
25 mm white border surrounding the image
Limited edition of 5 + 2 Artist’s Proofs
Signed and numbered by Wayne Crichlow
Certificate of Authenticity included
Limited Edition — £1,000 unframed
Five numbered editions are available.
A framed edition is available for £1,500, with the presentation tailored to the artwork and its final setting. Framing options can include a choice of frame specification and standard or specialist anti-reflective glazing.
UK delivery
Unframed Limited Edition prints are supplied carefully rolled for transport. UK tracked and insured delivery is £65.
Delivery of framed works is quoted separately according to destination and handling requirements. International delivery is also available by quotation.
Artist’s Proof — £2,000 framed
Two Artist’s Proofs are available, designated AP 1/2 and AP 2/2.
Due to the size and weight of framed works, delivery is quoted separately according to destination and handling requirements. Collection can also be arranged.
Please contact us for framed editions, Artist’s Proofs and specialist delivery enquiries.
A direct and quietly powerful portrait from Notting Hill Carnival. Pride centres on a young person looking straight into the camera, the Jamaican flag raised across the lower half of their face. With almost everything else stripped away, it is the eyes that hold the frame.
The surrounding crowd falls away through the shallow depth of field, creating an intimate moment amid the movement of Carnival. The flag becomes more than a splash of colour within the photograph — it speaks to heritage, belonging and the pride in cultural identity that runs through Carnival.
The photograph forms part of Wayne Crichlow’s long-term documentation of Notting Hill Carnival and is featured in Carnival of Resistance, the book created with Wayne Campbell exploring Carnival through culture, community, heritage and resistance.
Pride has been published by The Guardian, The Voice, Huck Magazine and Street Photography Magazine.
Edition & specification
Overall paper size: 74 × 51 cm
25 mm white border surrounding the image
Limited edition of 5 + 2 Artist’s Proofs
Signed and numbered by Wayne Crichlow
Certificate of Authenticity included
Limited Edition — £1,000 unframed
Five numbered editions are available.
A framed edition is available for £1,500, with the presentation tailored to the artwork and its final setting. Framing options can include a choice of frame specification and standard or specialist anti-reflective glazing.
UK delivery
Unframed Limited Edition prints are supplied carefully rolled for transport. UK tracked and insured delivery is £65.
Delivery of framed works is quoted separately according to destination and handling requirements. International delivery is also available by quotation.
Artist’s Proof — £2,000 framed
Two Artist’s Proofs are available, designated AP 1/2 and AP 2/2.
Due to the size and weight of framed works, delivery is quoted separately according to destination and handling requirements. Collection can also be arranged.
Please contact us for framed editions, Artist’s Proofs and specialist delivery enquiries.
